Uea ma creative writing poetry, ma creative writing poetry (part time) postgraduate study - uea
Criticism which responds inventively to the literature which it analyses? In this module you'll explore these questions. In a series of sessions preceding the presentations you'll devote your time to the discussion and hands-on tackling of practical problems connected with translation and the projects ahead. Although most of the stories you read will be relatively contemporary, the module will also attempt to historicise the form, attempting to sketch a sense of its development. Your final project will engage with the process of producing literary translation, and will comprise a scholarly discussion thereof illustrated by your own translations of a more or less experimental nature. Our work will focus on the writings of Thomas More, Desiderius Erasmus, and Michel de Montaigne, but there will be opportunities to read far more widely in the Renaissance literature of the period.
This module aims to account uea ma creative writing poetry the preoccupation with youth in America, focusing particularly on the concept of 'innocence'. In doing all this, we are asking fundamental questions not only about play but also about style and form, how they shape meaning and make possible certain kinds of writing and thinking. You will cross the boundaries between literature, history and creative writing to explore the possibilities and paradoxes of historical fiction.
The questions only grow more interesting if we consider changes in reception and more complex when we alter era or cultural setting. We consider Hegel's responses both to Kant's critical philosophy and to the literary theorising of the Schlegels and Novalis, with readings from the Phenomenology of Spirit, the Logic and the Aesthetics, before turning to the development of Hegelian thought in Marx.
Attendance is compulsory. Writers are expected to produce scripts, while theatre directors will have to option to produce a script or a performance. Our work will focus on the writings of Thomas More, Desiderius Erasmus, and Michel de Montaigne, but there will be opportunities to read far more widely in the Renaissance literature of the period.
You'll prepare a package of two essays relating to different parts of the course, preceded by formative drafts and essay tutorials.
UEA Creative Writing Course
Working through the period with special attention to previously marginalized and in some cases forgotten writers, alongside a selection of critical and theoretical texts, we will examine the ways our writers accede to, challenge, and disrupt our critical understanding of fiction after modernism.
Re-reading the 20th century responds to the current reassessment of critical narratives about 20th century fiction by restoring significance to a critically awkward uea ma creative writing poetry of 20th century writing. We will study the forms, techniques and thematics of both non-fiction and fiction, with an aim to experimenting with and improving students' writing in both forms.
How did the transformation of material texts create new thesis on marketing mix for writing and thinking? Criticism which responds inventively to the literature which it analyses?
Creative Writing Prose Fiction MA
Over the course of the semester we'll read, ponder and experiment with a ccea ssd case study range of possible ways of practising creative-criticism, including the essay form, auto-commentary, conceptual writing, inventive 'theoretical' writing, and diaristic writing. Focusing roughly on the thirty years either side of 'mid-century', we examine what it means to read these writers work in the wake of modernism.
The very process forces a string of questions: Class workshop will further develop skills in the specific dramatic forms. PROSE 1 The Creative Writing Grade 3 division problem solving Workshop is where you will discuss form, style, voice, characterisation and structure amongst other literary concerns in relation to your own work.
At the end of this module, you'll have had the opportunity to reflect on these questions in seminars, and pursued your own interests in assessed work presentation and essay. Only students who are registered for the MA in Creative Writing: In the course of your reading and your discussions, you'll uncover some of the form's many shapes, its technical challenges, its limitless potential.
The module will have a workshop format and will culminate in a series of presentations of the projects on which you and your peers have chosen to work. Must the adaptation always be 'secondary'? You will also engage with the principles and practice of blog-writing, with copyright law and aspects of publishing finance.
You'll also be invited to circulate your own bibliographies developed in relation to in-class presentations as well as the main project to other members of the class, and to bring to our attention any text s you encounter that may be of particular relevance. Assessment is by formal essay OR creative-critical assignment such as a literary blog.
The module is a must for scriptwriters, but no prior scriptwriting experience is necessary as the seminars teach the basic techniques of dramatic writing. While this is predominantly a practice-based course - intended to improve your ability to write short fictions - such is the nature of the form that an understanding of its history and its theory is unquestionably beneficial, not to say generative - as you will discover, short stories soal essay elliptical sentence very often in conversation with themselves.
This module offers you an opportunity to participate in - and indeed contribute to - a still emerging critical conversation that is redefining 20th- century literary studies. Criticism what makes a successful marriage essay registers, in its own form, language, method and the ways in which it has been transformed by the work s of art it encounters?
The effects of new market forces, media and digital technology on the form of writing and the construction of the "author" could also be seen as one of the legacies of modernism. You will explore How to write research paper in sociology Anglia's rich dramatic traditions, its devotional literature and practices in orthodox forms and in those that brush against the heterodoxand, insistently, the manner in which its literature participates in its broader social and cultural worlds.
You'll study critical and theoretical approaches such as though this may be subject to small changes each year psychogeography, ecocriticism, critical heritage studies, deep mapping, animal studies, and literary activism.
MA Creative Writing Prose Fiction Postgraduate Study - UEA You'll attend a 3-hour workshop every week. Throughout the semester you'll be encouraged to discuss a variety of texts, both critical and creative, that help illuminate the process and product of literary translation.
This module may particularly appeal to you if you have an interest in the cultural traditions of Norwich and East Anglia or, more generally, in the literature of place.
This module focuses on key questions in dramatic adaptation, establishing a foundation in basic theory and then focusing on readings of source works and screenings or performances of adaptations. Criticism which recognises that it cannot rest on received concepts and categories? The manifestations of these engagements and reassessments can be rather contradictory.
At the end of the module, you'll be able to test your own work against the literary principles discussed in the workshop. On the 'critical' side, the module traces the evolution of leading postmodernist styles and themes, especially ludic ones, back to their origins in Dostoevsky, Joyce, Kafka, Borges, and Nabokov.
Against this we encounter an alternative series of responses to 'critical' philosophy, notably via Heidegger, Deleuze, and Simone Weil.
We'll also give consideration to professional issues confronting novelists, from writer's block to editing, what makes a successful marriage essay and dealing with the media. Bachelors Hons degree - 2. Your assessed work for the module will be in two parts: The module culminates in visits to two archives in Norwich -- the Norfolk Record Office and the Norfolk Heritage Centre -- and your summative assessed work will take the form screw gauge essay a study of document s from these archives.
In this module you'll explore these questions. Final assessment can take the form of a word critical essay or of a combination of a creative piece and a critical essay, to make up words.
At the same time, you'll consider a number of original works of literature from recent years, thinking carefully about the relationship between theory, method and form. You'll hand in a reworked draft of your work for your first summative assessment. You'll receive feedback within the workshop setting, and you'll also receive written feedback from your tutor and your peers.
To this end, the module is overtly forward-looking, not only charting a contested history from Kant to the present, but also asking what forms future attempts at critique can, and should, take. The course asks you to investigate the historical conditions of transnational cultural production, particularly in relation to the venues of textual publishing, dissemination, translation and reception.
Criticism which responds inventively to the literature which it analyses? All students will be encouraged to try their hand at parodying and imitating the texts we are studying, though this is not compulsory.
Is it more than a story that is short?
Can fiction still be formally inventive and how might it enter into dialogue with other art forms photography, sculpture, painting, cinema? Throughout the module you'll learn how to become a better writer via becoming a better reader and editor of others' work. Creative Writing Research Methodology Conference 10 Credits - Core This credit module consists of a day-long series of presentations and plenary discussions delivered by Creative Writing and Critical faculty of direct relevance to the practical aspects of researching and writing a major piece of creative work.
You will also explore ideas around 'history of the emotions' and the 'history of mentalities'. This module may particularly appeal to you if you have an interest in the cultural traditions of Norwich and East Anglia or, more generally, in the literature of place.
MA Creative Writing Poetry (Part time) Postgraduate Study - UEA We are also returning to the way in which literature was studied, and creative writing engendered, before the invention of professional literary criticism and creative writing courses in the twentieth century.
We will also explore the arguments around the ownership and control of media, the increasing use of the media by political parties and the changing relationship between citizens and politics engendered by new communication technologies. In particular, we spend a portion of each seminar learning how to read the handwriting of sixteenth and seventeenth century documents.
Assessment is by creative writing coursework with a critical commentary and you'll also be expected to make presentations on topics of your choice. We are also returning to the way in which literature was studied, and creative writing engendered, before the invention of professional literary criticism and creative writing courses in the twentieth century.
You'll examine fictional, critical and professional texts, and write exercises illuminating the issue at hand. How far did print transform the nature of the book?
Your assessed work for the module will be in two parts: Prose 2 20 Credits - Core In the second semster, you will be organised into new workshop groups. What can the historical novel do in terms of reaching the past that more conventional historical accounts cannot do?
These are just some of the questions you'll grapple with, in the course of a semester studying one of the most alluring and elusive of literary forms. We will study the forms, techniques and thematics of both non-fiction and fiction, with an aim to experimenting with and improving students' writing research paper methods section both forms.
In the module you will analyse the developments and characteristics of the modernisation of the genre, through a symptomatic approach to authors such as James M Cain, Patricia Highsmith, Tana French, and Marlon James, from police procedurals to psychological thrillers.
You'll be provided with creative and critical knowledge in a single experiential burst, by exploring as they are relevant to writing fiction such topics as time, place, dramatic structure, character and concinnity. As well uea ma creative writing poetry becoming acquainted with the structure and economics of the contemporary publishing world, the opportunities and challenges posed by digitalisation, you will examine the process whereby books are chosen by literary agents and publishers, review principles of text and jacket design, acquire basic copyediting and proofreading skills, learn tips for publicising books online, write jacket 'blurbs' and press releases.